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Posts Tagged ‘Christopher Mintz-Plasse’

The Red Mist wants you to mask up

Posted by LiveFor on March 12, 2010

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SXSW Film Festival Announces Panels & Shorts

Posted by LiveFor on February 10, 2010

MICHEL GONDRY, QUENTIN TARANTINO, ELI ROTH, MATTHEW VAUGHN, MARK MILLAR AND DAVID GORDON GREEN AMONG KEY PANELISTS AT 2010 EVENT
The South by Southwest (SXSW) Film Conference and Festival is thrilled to announce over 80 Film Conference panels and 130 short films for the 2010 event, which will take place Friday, March 12 – Saturday, March 20, 2010 in Austin, Texas. The SXSW Film Festival will open with the world premiere of Kick-Ass, directed by Matthew Vaughn and starring Aaron Johnson, Cholë Grace Moretz, Christopher Mintz-Plasse and Nicolas Cage. The schedule, complete with both screening and panel dates and times, will be available on Monday, February 15th at http://www.sxsw.com/film. Visit often for more information and updates.

The SXSW Film Conference starts on Friday, March 12 and runs through Tuesday, March 16, 2010. New major panelists added to the SXSW Film Conference include Michel Gondry (filmmaker, The Thorn in the Heart, Eternal Sunshine of the Spotless Mind), Quentin Tarantino (filmmaker, Inglorious Basterds), David Gordon Green (filmmaker, Eastbound & Down, Pineapple Express), Peter Becker (President, Criterion Collection), David Wohl (Radical Publishing) and Susan Bradley (Pixar). Other upgrades to the 2010 Conference include more workshop sessions, more mentor sessions, and over 20 Crossover Panels (open to both Film and Interactive registrants).

“We are dedicated to presenting a strong conference that offers unique vaule for our registrants from both the Film and Interactive worlds,” says Film Conference and Producer Janet Pierson, “This year is no different – not only do our panels cover a wide range of crucial and timely topics, but we’ve assembled a dynamic group up of high-level talent to share their experiences and insight. ”

Also announced was the complete Short films lineup, which will debut at this year’s Festival from March 12 – 20, 2010. Over the course of nine days, 130 short films will screen at the festival, selected from 2,312 short film submissions. A comprehensive list of the short films lineup is detailed below.

“After months of watching incredible shorts, we’re excited to finally unveil our complete lineup,” said Shorts Co-Programmers Claudette Godfrey and Stephanie Noone, “Every film in our program has a unique voice, embodies the energy of SXSW, and leaves a lasting impression that we are thrilled to share with an audience.”

A sampling of key panels follows below, as well as the complete panel breakdown, by date and title. For full panel descriptions and participants, visit www.sxsw.com/film/talks/panels.

A Conversation with Michel Gondry
The stratospheric rise of Academy Award-winning visionary Michel Gondry is one of the great success stories of modern film. Working with fellow travelers like Spike Jonze, Charlie Kaufman and Bjork, Gondry has made his mark on the film landscape with iconic work like Eternal Sunshine of the Spotless Mind and The Science of Sleep. Come and enjoy what promises to be a fascinating discussion as Gondry discusses his latest, highly personal and emotionally raw documentary A Thorn in the Heart with TCM’s Elvis Mitchell.

Directing the Dead: Genre Directors Spill Their Guts
How does modern horror take gore beyond the purely grisly to the level of grand guignol art and imagination? How does bone-cracking violence and flesh-rending horror contribute to the hallowed pantheon of art and cinema? Join five of the most striking genre filmmakers in modern movies as they lock horns over the all-important issues of blood, guts and gratuitous gore. Featuring Ruben Fleischer (Zombieland), Matt Reeves (Let Me In) Eli Roth (Hostel), Quentin Tarantino (Inglorious Basterds), Ti West (House of the Devil), moderated by Scott Weinberg (Cinematical)

Filmmakers in TV: A Case Study
Carving a niche in the world of film is tough enough, and achieving the same feat on the small screen is no easier. Successfully mastering both is in yet another league, but somehow the creators of HBO’s Eastbound & Down are pulling it off with style. Find out how Danny McBride (Your Highness), and filmmakers David Gordon Green (Pineapple Express) and Jody Hill (Observe and Report) made it look easy in this illuminating, entertaining glimpse at the art of combining technical skill, sharp comedy writing and moving from the packed auditorium to the living room couch.

Creating a Graphic Novel Hollywood Will Buy
Graphic novels are red hot in Hollywood now. With its combination of words and visuals in one attractive package, a comic book can be a great sales tool when pitching your project to studios. Ean Mering (Pomegranate) talks to David Wohl (Radical Publishing), Martin Shapiro (Night Owl Productions), Matt Hawkins (Top Cow) and Ted Adams (IDW Publishing) will explain how to create a graphic novel that will attract the attention of movie producers.

Previously announced participants for the 2010 SXSW Film Conference include Jeffery Tambor’s Acting Workshop, a Kick-Ass Conversation panel with director Matthew Vaughn, actors Aaron Johnson, Cholë Grace Moretz and Christopher Mintz-Plasse, and comic writers Mark Millar and John S. Romita, Academy Award-winning Argentine composer, solo artist and producer Gustavo Santaolalla in Conversation with BMI’s Doreen Ringer Ross, and Cult comics legend Gilbert Shelton in Conversation with Harry Knowles.

Thanks to Rich for passing the info along.

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Kick-Ass – New poster

Posted by LiveFor on January 17, 2010

I’m really looking forward to the film but feel this new poster is a bit ugly.

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Kick-Ass – New poster for Hit Girl

Posted by LiveFor on December 17, 2009

We’ve had posters for Nic Cage as Big Daddy, Christopher Mintz-Plasse as the Red Mist and Aaron Johnson as Kick-Ass. Now it is the turn of Chloe Moretz as the scene stealing Hit Girl.

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Kick-Ass – Cool character poster for Red Mist aka McLovin’

Posted by LiveFor on December 4, 2009

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Kick-Ass – Cool character posters for the new film

Posted by LiveFor on November 6, 2009

kickass1
It looks as if the marketing push for Matthew Vaughn’s Kick-Ass film has begun. You know what I kind of like it. Cool imagery on the posters and I love the fact they are using the characters names. That ties in with the whole concept of real world super-heroes in Mark Millar’s comic. Going from the early review of the film as well I can’t wait to see it.
kickass2Of course the Red Mist is played by Christopher Mintz-Plasse.kickass3Kick-Ass is Aaron Johnsonkickass4Hit Girl is Chloe Moretz and below we get our first glimpse of Nic Cage in costume as Big Daddy.kickass5
The film is due out on 16th April 2010. What do you think of the posters?

Source: IGN

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Kick-Ass – An early review

Posted by LiveFor on November 5, 2009

Kick-Ass-Aaron-Johnson-Mark-Millar-John-Romita-Jr_-01_mid
Kick-Ass is the adaption of the Mark Millar, John Romita Jr Comic. Matthew Vaughn directed it and AICN had this review sent to them by Terry Tibbs. Sounds like it could be a lot of fun.

Just got back from the screening of Kick-Ass, and I’m happy to report that it is fucking awesome!!!

Just as a side note about the film, I know that the film has been picked up for distribution in the States by Lionsgate, and it says so in the opening credits, but I’m sure that it hasn’t got a distributor over here yet… or has it? The screening was hosted at BAFTA, and it was obviously hosted by Universal as it was their name on the screen before the film started, and there was shit loads of Universal staff there, in fact i’d say a quarter of the audience was Universal staff, a quarter european distributors (I guess), the rest were lucky punters off the street. So I’m sure it hasn’t been announced, but I’d say it was a safe bet that Universal are the UK distributors.

So the movie itself. I’m a huge fan of the Mark Millar/John Romita jr comic anyway, so to see the film so early felt like a massive coup, and I’m happy to tell you that this is the Kick-Ass film that Kick-Ass fans will want to see. It opens like the first comic virtually verbatim (I won’t spoil it for anyone who hasn’t read them), but the film itself varies only slightly from the source comic, but the changes made by director Matthew Vaughan and screenwriter Jane Goldman ring true to the spirit of the comic, and never feel strange, in fact the changes made make the film seem logical and help some bring some of the wilder concepts down to earth.

The comic sets out as a modern deconstruction of the superhero concept, with knowing nods to geekdom surrounding comics, and the film takes that idea and runs with. Littered with references to other superhero films from Batman, Superman and Spiderman (even the Spirit movie gets a hilarious nod), this feels like it is happening in our world, and will drive fellow geeks wild. The film veers ever more into outlandish areas as it goes on, but it always feel believable.

As far as the actors go, Brit Aaron Johnson as Kick-Ass more than fills the lead role ably handling the accent, but I did feel that he lacked the vulnerability of the comic’s Dave Lizewski, never nerdy enough and definitely too buff, but that’s just nit-picking at a role that should catapult him into the big time. Christopher “McLovin” Mintz-Plasse proves that he has what it takes to hold his own in a comedic role as Red Mist, and he seems perfectly cast. Nic Cage, who I wasn’t really to impressed with when I heard he was cast as Big Daddy, proved me wrong by putting in a hilarious, Adam West-esque performance (although his final scenes did raise a few eyebrows for his scene-chewing, but again I won’t spoil it for you).

There were a few nice cameos from British actors Dexter Fletcher, Jason Flemyng and Tamer Hussan, but the Mark Strong was the pick of the British bunch as gangland boss Frank D’Amico, who steals every scene he’s in with a genuinely brilliant turn. Clark Duke provides ample comic relief as Dave’s high school chum, and Lyndsy Fonseca is suitably cute as Dave’s crush Katie.
Kick-Ass-Chloe-Moretz
But the film truly belongs to Chloe Moretz who, as Hit Girl, tears through the film as the baddest pre-pubescent 4 foot badass ever committed to film. She totally owns every scene and provided the audience with at least three bandstanding crowd cheering moments. She’s funny, witty, knowing, hugely crude, and just massively ass-kicking, her Matrix lobby-esque scene at the film’s climax is just incredible, and again should propel her into the big time by just being one of the most incredibly cool characters in any comic book film ever. Badder than Wolverine, funnier than Deadpool, more athletic than Spiderman and cuter than that kid in Runaways. Just fucking awesome.

Matthew Vaughan does himself proud and he should find Hollywood banging at his door upon the release of this film. He handles the action superbly (a couple of fight scene’s seem to go on a bit, but this was a ‘work-in-progress’ cut we saw, so there is time to tighten them up), and he manages to inject enough humour alongside the brutal violence effortlessly. Fans of the comic will be glad to know that plenty of blood is still spilled, and the violence has only slightly been curbed from the comic, keeping Mark Millar’s ultra-violent tone intact.

Although the film was a rough early cut, everything seemed in it’s place apart from the music (there are replacement bits and pieces from Dark Knight, Superman, 28 Days Later, and possibly I think heard some from X-Men in one bit), some of the dubbing was still to be done too, but the biggest thing that we didn’t get to see what Romita’s animated section, which only appeared as a rough idea of how it will look, but it still looked quite cool.

Still from what we saw, I’m quite confident in saying this is up there with the best comic films I’ve ever seen (Spiderman 2, Dark Knight), and probably one of the best films i’ve seen all year. It’s rude, lewd, naughty and knowing. The violence is brutal, the laughs come thick and fast, and the tone is pitch perfect. At just under two hours long, the film seems to drag in the middle, but the spectacular finale more than dispels any qualms I had with that. There are a couple of plot points that feel fumbled, but that will hopefully be sorted in the final cut.

What Matthew Vaughan and everyone involved with Kick-Ass is just brilliant. They’ve created the ultimate super-hero origin film, one that never feels forced, but always organic, natural, and gut-bustingly funny in the process. Full of cultural references, fanboy in-jokes, and a genuinely comic script, this is the deconstruction of the superhero film that the genre needs at the start of the next decade, something that the Watchmen film failed to do, but the Watchmen comic did for comics in the 1980s. I can’t wait to see it again, and judging by the audience response at the screening, this should be a huge hit.

Oh and it sets up Kick-Ass 2 nicely, but i’ll be damned if i’m going to get excited about a sequel before this even comes out…

It’ll be tough.

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Owen Wilson is Marmaduke. I fear another Garfield

Posted by LiveFor on November 3, 2009

OwenWilsonHanselZoolanderOwen Wilson has decided to go from acting opposite a dog in Marley & Me to actually being a dog. He has joined the live-action/CG movie Marmaduke, and will voice the rascally Great Dane in Fox’s adaptation of the long-running comic strip. I put my head in my hands in despair. This does not bode well.

According to The Hollywood Reporter, the story follows a family named the Winslows who move from Kansas to Orange County with their dog Marmaduke, a slobbery pooch who creates chaos wherever he goes.

In adapting the strip created in 1954 by Brad Anderson and Phil Leeming, the script by Tim Rasmussen and Vince Di Meglio sees Marmaduke navigate a volatile Mutts vs. Pedigrees turf war, woo the purebred of his dreams and overcome a fall from grace.

Judy Greer, Lee Pace and William H. Macy play the humans, while Fergie, Emma Stone, George Lopez, Christopher Mintz-Plasse, Steve Coogan, Damon Wayans, Marlon Wayans supply the voices.

Whoa. Hold up. The Wayans brothers are in it so my misgivings were misplaced. This is bound to be comedy gold! —disengage sarcasm

Tom Dey is directing, and John Davis is producing the family comedy, which has a June 2010 release date.

Source: MovieWeb

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How to Train Your Dragon – Trailer

Posted by LiveFor on September 14, 2009

image001-1Here is the trailer for the new Dreamworks animated film. It tells the story of Hiccup, heir of Viking chiefdom and the most lovable, unlikely hero, and his quest to hunt down the fiercest dragon, bring it into submission, and pass his initiation.

It features the voices of Jay Baruchel, Gerard Butler, Jonah Hill, Christopher Mintz-Plasse, Craig Ferguson, Kristen Wiig, America Ferrera

Vodpod videos no longer available.

more about “How to Train Your Dragon – Trailer“, posted with vodpod

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Kick-Ass news – Cage will be wearing the costume

Posted by LiveFor on July 17, 2009

In an interview with MTV News, Kick-Ass director Matthew Vaughn said promotional images of the film’s pre-teen vigilante sporting a schoolgirl outfit and gun don’t actually depict her costume for the film, and like her “Kick-Ass” co-stars Aaron Johnson and Christopher Mintz-Plasse, she’ll have a costume modeled after her comic book counterpart.

“That’s not her costume. No one’s seen her costume yet,” Vaughn told MTV News of the various images that have appeared online. “That’s just part of a plan to take some people out. That’s her alter ego.”

Vaughn said that all of the costumes in the film were lifted as directly as possible from artist John Romita Jr.’s designs — even those we haven’t seen yet.

“We have to hold some stuff back,” laughed the director. “But yes, they’re 100-percent wearing their costumes from the comic.”

Vaughn’s desire to remain faithful to the comic extends well beyond the costumes, too. When asked whether he’ll tone down the series’ much-discussed level of violence (including various acts of dismemberment, bludgeoning and one scene in which Moretz and Cage’s characters execute a criminal using a car-crusher), Vaughn’s response was immediate.

“It would be like me buying the rights to ‘The Exorcist’ and saying ‘We’re not going to make a horror film out of this,'” he said. “What’s the point of doing a watered-down, diluted version of it? You end up with a film that I wouldn’t want to make… or see.”

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