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Posts Tagged ‘Excalibur’

Leonardo da Vinci – Action hero?

Posted by LiveFor on March 11, 2010

Warner Bros have got hold of a film called “Leonardo da Vinci and the Soldiers of Forever” from producer Adrian Askarieh, who is teaming with Vertigo’s Roy Lee and Doug Davison.

THR have that news that the project re-imagines Da Vinci as a member of a secret society who falls headlong into a supernatural adventure that pits the man against Biblical demons in a story involving secret codes, lost civilizations, hidden fortresses and fallen angels. Sounds like it could be fun.

Askarieh, who is producing via his Prime Universe banner, came up with the original idea and wrote the treatment, with a search for a writer now under way.

In the wake of the worldwide success of “Sherlock Holmes,” Warners seems eager to make more projects involving a period setting, a historical figure and the fantastical. Last week, the studio picked up a pitch that has Francis Lawrence attached to direct a supernatural tale featuring explorer Marco Polo, and director Guy Ritchie on the Warren Ellis King Arthur project.

Who could play Leonardo?

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Excalibur – Guy Ritchie to direct Warren Ellis’ Sword

Posted by LiveFor on March 4, 2010

Apart from the title of this post sounding wrong in a bad way this is some excellent news.

There are currently 2 King Arthur movies on the go in Hollywood. One is a remake of the 1981 Excalibure and Bryan Singer is attached to that. However, he is attached to an awful lot of other things so time will tell on that one.

Better news is for the Warren Ellis version of Excalibur which, “differs from the prior 751 King Arthur movies in many ways, but perhaps most obviously in that it is very specifically about the gathering of the Knights.”

Both versions are with Warner Bros and Pajiba have the news that Guy Ritchie will be directing the Ellis version.

Ritchie is riding high on the success of Sherlock Holmes and that film did go some way to proving to certain naysayers that he was more that just a Lock Stock kind of guy.

Ellis is the man when it comes to cool stories. He has written some of the best comics in recent years – Can’t wait for the Vol 2 Absolute edition of Planetary – so his take on King Arthur and the nights should be batshit insane, yet in a good way. The adaption of his comic book, Red, is currently shooting with Bruce Willis so movie wise Mr Ellis is on the right track.

Are you excited about Guy Ritchie directing a Warren Ellis tale of King Arthur? Who would you like to see play Arthur and what do you want to see happen in the film?

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Bryan Singer takes on Jack the Giant Killer

Posted by LiveFor on September 23, 2009

bryansingerBryan Singer (Superman Returns, X-Men, The Usual Suspects, Valkyrie) has signed on to direct Jack the Giant Killer, the fantasy adventure from New Line and Legendary Pictures.

Neal Moritz is producing via his Original Film banner along with David Dobkin.

The story, by Mark Bomback (“Live Free or Die Hard”), is set in motion when a princess is kidnapped, threatening a long-standing peace between men and giants. A young farmer is given an opportunity to lead a dangerous expedition to the giants’ kingdom in hopes of rescuing her. Darren Lemke is the original writer.

Michele Weiss and Michael Disco are overseeing for the studio while Ori Marmur is overseeing for Original. Jon Jashni and Alex Garcia shepherd for Legendary, which is co-producing and co-financing.

This is the third project the filmmaker has attached himself to in the last two months. The other two are a feature version of “Battlestar Galactica,” set up at Universal, and a remake of “Excalibur,” set up at Warners with Legendary also involved.

“Killer” is most likely to be Singer’s next movie. The project has no start date but is being fast-tracked.

Source: HeatVision

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Bryan Singer to raise Excalibur and maybe X-Men: First Class

Posted by LiveFor on August 21, 2009

Warner Bros. has closed a rights deal to remake the 1981 Excalibur, with Bryan Singer producing and developing the picture as a potential directing vehicle.

Deal comes as Singer gets serious about making the New Line-Legendary co-production “Jack the Giant Killer” his next directing effort, according to sources.

WB and Legendary Pictures have labored for months to pull together the rights to the film, which Singer will produce with Julie Yorn. Polly Johnsen, who was Polly Cohen when she was the WB exec who presided over the Singer-directed WB/Legendary collaboration “Superman Returns,” will also be a producer.

“Excalibur” is the quintessential myth-of-King-Arthur film, complete with the enchanted sword, the Knights of the Round Table, Merlyn the wizard and the quest for the Holy Grail to save Arthur’s life. The original film was directed by John Boorman and adapted from the Thomas Malory book by Rospo Pallenberg and Boorman.

Boorman’s film broke talent such as Helen Mirren (who played the evil Morgana) and Liam Neeson (Sir Gawain) as well as Gabriel Byrne, Patrick Stewart and Ciaran Hinds. WB had some of the rights as a library title; the rest were secured from Boorman.

Singer hasn’t set a writer yet. Matt Reilly is overseeing for WB, Erik Olsen for Yorn and Singer’s former partner Alex Garcia is overseeing for Legendary.

Singer recently signed on to develop to direct and produce “Battlestar Galactica” at Universal, a project he’d been eyeing since he originally made a deal to godfather a series revival in 2001. At the same time, Singer has been flirting with directing “X-Men: First Class,” a 20th Century Fox spinoff that got a first script draft by “O.C.” creator Josh Schwartz.

It looks like his next directing assignment could well be “Jack the Giant Killer,” a riff on the Jack and the Beanstalk legend developed by New Line with scripters Darren Lemke and Mark Bomback and producer Neal Moritz. The story revolves around a young farmer who leads an expedition into the land of the giants to recover a kidnapped princess.

I am going to have to say that I don’t think Singer is the right choice for Excalibur. Usual Suspects was brilliant but more and more I get the feeling he should stay away from fantastical films. X-Men was good but rewatching it I the action is sub-par and it feels very sketchy in places. Then Superman Returns shows that if he is too close to the subject matter then it can be a bit empty. He should stick with character pieces set in the real world. Just my opinion of course.

Source: Variety

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The Mission – Deliverance (Sorcerers Remix)

Posted by LiveFor on August 15, 2009

Take some classic Goth 1980s music by The Mission, chuck in some Excalibur and there you have it.

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Holy Excalibur – Warren Ellis writing King Arthur movie

Posted by LiveFor on July 28, 2009

Interesting news indeed from the blog of a certain Warren Ellis – writer of Planetary, Transmetropolitan, Crooked Little Vein and so much more.

I was actually cleared to talk about this at San Diego, but all the press I
did there was Japanese-oriented for the Marvel Anime deal… so I’m going to
mention it here, to say I did, and to maybe make up for that by giving the
comics news sites something to post post-SDCC.

I’m writing a film treatment for Hollywood Gang, who co-produced Frank Miller’s 300. Hollywood Gang have previously optioned my graphic novel (with Chris Sprouse) OCEAN.

On my desk, the treatment is called Untitled Arthurian Project.

On their desk, the project is called EXCALIBUR.

I’m working directly with Gianni Nunnari, Oliver Kramer and Craig Flores (whom I was delighted to bump into on the Warner’s lot the other day) and having a great time.

So… yeah. Movie stuff. Other things to talk about soon. I’ve been sitting on that one for months

What do you reckon to that? Will it feature hints of the bleed or a certain snowflake existing in 196,883-dimensional space?

What do you want to see in a King Arthur film by Ellis?


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Wizard of Oz remake by John Boorman – Some concept art for the CGI remake

Posted by LiveFor on November 10, 2008

The Wizard of Oz…the original musical version was never one of my favourites. It had some cool imagery and funny moments but it’s just one of those things that always irked me. I much preferred Return to Oz which seemed a lot darker and twisted which is what these kind of stories should be (I loved the way everyone thought Dorothy was mad and sent her to an insane asylum). Mind you I have never read the original Baum stories so I’m not the best one to judge the news on the remake. However, the concept art from John Boorman’s CGI remake does look pretty cool. He is also the director who brought us Excalibur (which is one of the Wife’s favourite films) so he can handle the dream like weirdness that I suppose the Wizard of Oz should have.

Variety had some details on this last week – John Boorman is attached to direct the $25 million, CG-animated pic “The Wonderful Wizard of Oz.”

The adaptation of L. Frank Baum’s original novel will be Boorman’s first toon pic.
Produced by Laurent Rodon and Claude Gorvsky at France’s Films Actions and John Boorman’s longtime associate Kieran Corrigan, and currently in pre-production, “Oz” is written by Boorman, Ron Mita and Jim McClain (Robots, S.W.A.T., Sniper 2).

John Boorman also had this to say on the Action Synthese website:
Based upon the original work by Franck L. Baum, The Wizard of Oz is a literary and cinematographic milestone which animated cinema must approach with respect. Why should we make an animated version of this story at all? Given the technical limitations of the day, and the demands of live action, the iconic MGM film could only engage with a fraction of the novel. Animation will allow up to explore the magical fantasy of the book and bring the array of strange and frightening creatures to life.

Therefore my objective in recreating the universe of the land of Oz is to realise the glories of Franck Baum’s novel. The Wizard of Oz is first and foremost a fairytale telling the story of a young girl who has lost her parents and lives in the countryside with her aunt and her uncle but dreams of another reality, of escape, of finding friends who will compensate for the loss of her parents.
Dorothy’s journey through the land of Oz relates a child’s coming of age, the transition from childhood to adulthood. Dorothy learns that she must put away childsish things, take responsibility, and become an adult. She is the only child in the land of Oz, and she has to understand that adults live in an ambiguous world in which the border between the good and the bad is often blurred.
In the original work, the handling of the female characters has been subjected to tremendous care. All the strong and powerful characters are women: Dorothy, the Witch, Glinda. Whereas males are deficient: the Wizard of Oz, the Tin Man, the Lion, the Scarecrow.
Nature also plays a key role in this magical world. It possesses a soul and is inhabited by mysterious forces. This nature isn’t tamed like ours, it belongs to the witches and the wizards. Nature is accordingly handled in the script as a genuine character.
Eventually, the harmony of the film will rest on the atmosphere, for which light is crucial. Today’s animated films generally tend to be over lit. These delightful and touching characters, Dorothy’s companions, represent aspects of the human condition. I will set them in a magical landscape that contains deep shadows and dark mysterious places which reminds us of the hazards we all face as we make our way through the world.
Such a setting will allow Dorothy to remain this unique character who has been through a century of literature and cinema history and is still able to seduce generations of viewers.

To those people who have read the original books or love / hate the original film let me know your views on the remake and whether Boorman is the one to helm it. Also do you like the concept art for the film?

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