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Posts Tagged ‘No Country for Old Men’

Josh Brolin in Men in Black 3?

Posted by LiveFor on December 9, 2009

Josh Brolin has been going from strength to strength lately. From The Goonies to W., Milk, No Country for Old Men and the forthcoming Jonah Hex he is definitely, like Hanzel, so hot right now. He was also cool in Planet Terror and is also working on Wall Street 2 and has signed up for the Coen Brothers True Grit remake.

News today from Hero Complex suggests he is being considered for a role in Men in Black 3 where he would be donning the suit and shades with Will Smith likely to return as Agent J.

The question is what role would Brolin be playing? Will Tommy Lee Jones be passing the title of Agent K to him or will Brolin be playing a younger version of Agent K? Maybe the plot will involve time travel shenanigans. Maybe Brolin will be the big bad of the piece.

Sony is currently contemplating a production start for the picture in 2010 (though it has yet to be greenlit). The film, which is based on a script by “Tropic Thunder” writer Ethan Cohen and which tentatively has Barry Sonnenfeld coming back to direct, could shoot at least partly in New York.

It all sounds like it could be very, very cool. I thought the first film was great. Funny, good action and nice chemistry between Will Smith and Tommy Lee Jones. However, cast your mind back to Men in Black 2. That wasn’t so hot now was it and I felt it kind of killed the series.

Still, third time’s the charm and if they get a cracking story it could work. It would be nice if Tommy Lee Jones was also in it for that No Country for Old Men team up again. Would be nice to see Brolin and Jones actually share some screen time together.

What are your thoughts on Brolin fighting the scum of the universe? Do you want a Men in Black 3? How can they improve on the second film?

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What Alignment are you?

Posted by LiveFor on November 4, 2009

alignment
Hey I admit it. I like a bit of RPG every now and again – Conspiracy X, AD&D, Cthulhu etc. Topless Robot dug up the goods with this explanation of the various alignments from back in the day.

I think they got it pretty much spot on. If any of you happen to be Chaotic Evil, then nice to meet you, please don’t hurt me.

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Improbable Movie Trading Cards

Posted by LiveFor on October 2, 2009

apocalypsenow
Just genius. Check out the rest.
silkwoodnocountrybeauty

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The Dude saddles up with the Coen Brothers for True Grit

Posted by LiveFor on September 11, 2009

dudeJeff Bridges is in discussions with Paramount to star in Joel and Ethan Coen’s redo of True Grit. Bridges would play the role that won John Wayne an Oscar for the 1969 original according to Variety.

Bridges last worked with the Coens when he turned in a heralded performance as Jeffrey “the Dude” Lebowski in one of my all time favourite films, The Big Lebowski.

The picture, which also reunites the Coens with their “No Country for Old Men” producing partner Scott Rudin, has been redrafted by the brothers to be more faithful to the Charles Portis novel on which the original film was based.

The story centers on a 14-year-old girl who tags along with an aging U.S. marshal, Rooster Cogburn, and another lawman to track the outlaw who killed her father. The original told the story from Cogburn’s point of view, but the new version will work from the viewpoint of the girl.

If the Coen brothers bring the magic they captured in No Country for Old Men to this true Western then it should look amazing. Plus Jeff Bridges is always brilliant and I cannot wait to see the on set photos he takes with his Widelux camera (check out the ones he did during the Iron Man shoot).

The Coens premiere “A Serious Man” at the Toronto Film Festival. Bridges most recently starred in “The Men Who Stare at Goats” and reprised in “Tron Legacy.”

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The Coen Brothers Remix

Posted by LiveFor on February 9, 2009

Discuss in the Forum

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Ridley Scott talks about Cormac McCarthy’s Western, Blood Meridian, and Tripoli

Posted by LiveFor on November 24, 2008

Ridley Scott has been interviewed by Empire magazine recently. He spoke about Body of Lies but also gave some news about his adaption of Cormac McCarthy’s Western, Blood Meridian, and the difficulties of adapting a book that is steeped in violence and which deals with seriously un-PC topics.

“It’s written. I think it’s a really tricky one, and maybe it’s something that should be left as a novel. If you’re going to do Blood Meridian you’ve got to go the whole nine yards into the blood bath, and there’s no answer to the blood bath, that’s part of the story, just the way it is and the way it was. When you start to scalp Mexican wedding parties that’ll draw the line. One scalp of coarse black hair is pretty well either Mexican or Indian, and there was no difference to the scalp hunters in Arizona at that time, who didn’t draw the line.”

Blood Meridian, or the Evening Redness in the West is a 1985 novel by Cormac McCarthy. Wiki states, “The novel tells the story of a teenage runaway named only as “the kid”, who was born in Tennessee during the famously active Leonids meteor shower of 1833. He first meets the enormous and hairless Judge Holden at a religious revival in Nacogdoches, Texas: Holden falsely accuses the preacher, Reverend Green, of pedophilia and intercourse with a goat and incites a mob to chase him out of town.

After a violent encounter with a bartender establishes the kid as a formidable fighter, he joins a party of ill-armed U.S. Army irregulars on a filibustering mission led by a Captain White. Shortly after entering Mexico, they are attacked and massacred by a band of Comanche warriors. Few of them survive. Arrested as a filibuster in Chihuahua, the kid is set free when his acquaintance Toadvine tells the authorities they will make useful Indian hunters for the state’s newly hired scalphunting operation. They join Glanton and his gang, and the bulk of the novel is devoted to detailing their activities and conversations. The gang encounters a traveling carnival, and, in untranslated Spanish, each of their fortunes is told with Tarot cards. The gang originally contract with various regional leaders to protect locals from marauding Apaches, and are given a bounty for each scalp they recover. Before long, however, they devolve into the outright murder of unthreatening Indians, unprotected Mexican villages, and eventually even the Mexican army and anyone else who crosses their path.

Throughout the novel Holden is presented as a profoundly mysterious and awe-inspiring figure; the others seem to regard him as not quite human. Like the historical Holden of Samuel Chamberlain’s autobiography, he is a child-killer, though almost no one in the gang expresses much distress at his committing these acts. According to the kid’s new companion Ben Tobin, an “ex-priest”, the Glanton gang first met the judge while fleeing for their lives from a much larger Apache group. In the middle of a blasted desert, they found Holden sitting on an enormous boulder, where he seemed to be waiting for the gang. They agreed to follow his leadership, and he took them to an extinct volcano, where, astoundingly, he instructed the ragged, desperate gang on how to manufacture gunpowder, enough to give them the advantage against the Apaches. When the kid remembers seeing Holden in Nacogdoches, Tobin tells the kid that each man in the gang claims to have met the judge before he joined forces with Glanton.”

Scott also passed on a few tidbits about the background and setting for another proposed film, Tripoli, a William “Kingdom of Heaven” Monaghan-scripted tale of high adventure in 19th century North Africa, as a US diplomat teamed up with the dispossessed heir to the throne of Tripoli to challenge the heir’s usurper brother.

There is lots more to read in the interview over atEmpire.

Have any of you read Blood Meridian? No Country for Old Men was a brilliant movie and The Road was a great book, so I imagine Blood Meridian is a cracking read and seems to be another movie in the slow Hollywood build up of Westerns in recent years. I also like the sound of the mysterious Holden being viewed by some as not quite human (a bit like Anton Chigurh played by Javier Bardem in No Country for Old Men). Who could you see playing the monstrous and hairless Judge Holden?
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No Country for Mclovin – No Country for Old Men / Superbad Mashup

Posted by LiveFor on September 22, 2008

HOME / FORUM.

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No Country for Old Men, 2008 – Review

Posted by LiveFor on July 15, 2008

Director: The Coen Brothers
Starring: Josh Brolin, Javier Bardem, Tommy Lee Jones, Woody Harrelson, Kelly Macdonald
Running Time: 122 minutes

Here is another great review from Steven.

Let me start by saying that No Country for Old Men is not your typical movie. It is not your typical thriller and it’s not your typical plot setup. Nothing can prepare you for its onslaught of biting reality, in a world where people do get fucked over by the bad guy, in a world where nothing is sacred. It’s a vast, reaching masterpiece by the acclaimed Coen Brothers, (Fargo, The Big Lebowski), and it is by far not only their most mature work, but it will be their masterpiece for all other films to look up to and aspire on all paradigms. Not only on the dramatic level, but No Country breaks ground in cinematography, characterization, sound and storytelling. You have never seen a film quite like it, and you probably never will until you take the plunge into No Country for Old Men.

No Country for Old Men is the twelfth effort from Joel and Ethan Coen, directors of The Big Lebowski, Fargo, and Barton Fink. They’ve adapted the novel by the same name into a film that breaks all boundaries. If you’ve read the book you’ll be happy to hear that it follows almost to the letter, exactly what occurs within. The first thing that No Country does right is that it’s a faithful adaptation, something several films strive for.

The movie is about Llewelyn Moss, Sherriff Ed Tom Bell, and Anton Chigurh, three characters with different agendas, who are all after something different. The film starts with Llewelyn, a Texan Vietnam vet who lives his life like any Texan does. It begins with him finding a stockpile of cash from a heroin deal gone wrong. He takes the cash and runs, with Anton Chigurh a hired hitman from hell, crawls out and seeks to take what is rightfully his. Ed Tom Bell is the catch-up, he attempts to figure everything out before it’s far too late.

The movie isn’t about what happens, it’s about why it happens, it’s about things deeper than the surface. In order to enjoy this movie you need to dig deeper than the surface of things and think about why which characters made the wrong and right decisions. It’s not something you can simply follow casually and hope to understand, it’s a beast that challenges you as much as the on screen characters, and if you do, you will be rewarded for a message deeper than the general populace can comprehend. It’s expertly written and shot, it’s why it won the Best Director and Best Adapted Screenplay at this years Academy Awards.

The camerawork is superb, providing sweeping, gritty brutal shots of the American south-west in the 1980’s. There is very little music in this film, only about 12 minutes total for the 122 Minute run time, but what’s here is sound. Not “Bang” “Kazam!” but sounds like you would hear in the situation. A gunshot is heard shuddering throughout the neighborhoods, boots clod, metal clangs, and wood breaks with a nice crisp. The sound may seem like something that shouldn’t be given such a priority, but it helps build the tension and suspense that’s required for a story such as this.

Josh Brolin does a faithful job with Llewelyn, playing the American everyman who makes the choices that you might make given the circumstances. Tommy Lee Jones is a natural fit for Ed Tom Bell, and he does it with gusto. Sorry, but the real star of the show is Javier Bardem in his now iconic role as one of the most intimidating, ruthless, and now infamously parodied Movie Villains of All Time, Anton Chigurh. Anton is meant to be a figure for Death incarnate, his tone of voice, to the way he walks exhudes darkness. He is a sociopath that only believes in fate, and decides on the flip of a coin. His performance as Anton nailed him the first Acting Oscar given to someone from Spain, and with good reason. He is simply terrifying, everytime he appears you fear for your life, as well as the innocent animals, women, children, men and gods that are present in the room. He has a creed, but one that doesn’t allow him to kill on the level of other gung-ho icons of the past. He has a method; he uses it, and lives it to the finest degree.

Overall, No Country for Old Men is a stunning, visceral masterpiece, and if you don’t enjoy it than you may not be mature enough to embrace the world for what it is, because this should be the way films are made.

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