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Alice in Wonderland, 2010 – Movie Review

Posted by LiveFor on March 7, 2010


Director: Tim Burton
Starring: Mia Wasikowska, Johnny Depp, Helena Bonham Carter, Anne Hathaway, Crispin Glover, Matt Lucas, Stephen Fry, Paul Whitehouse, Michael Sheen, Timothy Spall, Alan Rickman

Score: 8 / 10

This review by Pamela Fruendt

What’s there to say about ALICE IN WONDERLAND? Certainly not “off with their heads!” Kudos to Linda Woolverton’s script which took the best of Lewis Carroll’s ideas and wove them together with our favorite characters into a reworked story that gave Tim Burton something to run with and run he did. Burton has created an absolutely magical, vibrant, dazzling world in ALICE IN WONDERLAND. Forget those critics who brand parts of the film too dark. Underland has been at war which, as the Mad Hatter shows, leans towards destruction. There is much light to this ALICE IN WONDERLAND. And muchness too.

Mia Wasikowska is perfect as 2010’s sweet, but nobody’s fool Alice Kingsleigh. Mia’s someone to keep your eye on in the future. Johnny Depp gives another finely nuanced performance as the Mad Hatter. His portrayal is especially poignant in that the Hatter knows something is terribly amiss with him yet carries on as best he can. As an aside…despite Depp’s protestations to the contrary, his dancing ability seems more than adequate. Futterwhacking, anyone?

Helena Bonham Carter nearly steals the film as the unloved petulant Red Queen. Anne Hathaway plays a quietly powerful Underland version of a valley-girl-type White Queen while Crispin Glover’s Knave of Hearts maintains just the right amount of distaste and admiration for the Red Queen. And I mustn’t forget Tweedledee and Tweedledum – Matt Lucas has taken such a tiny role and made it so memorable.

The animated characters from The Cheshire Cat (Stephen Fry) to the screaming March Hare (Paul Whitehouse) to Bayard, the adorable Bloodhound (Timothy Spall) and all those not mentioned are exquisite both in design and execution.

But what’s wrong with ALICE IN WONDERLAND? For me it was the 3D technology which I found distracting and superfluous. Avatar needed 3D…ALICE doesn’t. I’m actually looking forward to the early DVD release so I can see the film on my 42″ Sony 1080p…then I’ll be able to concentrate on the story and not 3D. But I will admit it could just be me. I may even try to find a theater without 3D to check myself.

So, go see ALICE IN WONDERLAND. Expect to see a good film with great performances. And don’t forget your futterwhacking shoes…

Have you seen Alice in Wonderlan? What did you think of it?

Posted in Action, Animated, Fantasy, Film, Kids, news, Review | Tagged: , , , , , , , , , , , , , , , , , | 1 Comment »

UPDATED: Exclusive Interview – Paul McGuigan talks modern day Sherlock Holmes, Deathlok, Bond, Grant Morrison and more

Posted by LiveFor on February 22, 2010

Scottish director Paul McGuigan made his name with British gangster film, Gangster Number 1 before moving across to the States where he worked with big names such as Josh Hartnett, Bruce Willis and Morgan Freeman in Lucky Number Slevin. With his energetic and unique visual style, McGuigan is one of the biggest Scottish directors working in Hollywood today. We were lucky enough to catch up with Paul to discuss his previous films and his upcoming projects. Richard of LFF took the interview so without further ado over to Rich.

When I call, he is taking a break from editing his latest project; a modern day take on Sherlock Holmes for the BBC with Benedict Cumberbatch as Holmes and Martin Freeman as his loyal sidekick Watson. Three feature length episodes are planned; McGuigan will direct the first due out in the autumn.

(Noise)
PM: Sorry, I’m editing next to Dr Who, there was a big meeting today it’s a bit noisy

McGuigan eventually finds a quite spot in the corner and I open by trying to grab some information about the rumours surrounding his next film.

LFF: So I heard some news about a new project this morning, can you talk about it?

PM: Well I’m hoping to sign on in the next few days.

LFF: It’s written by the guys that did The Hangover, right?

PM: Yeah, it’s their next film.

LFF: Is it a flat out comedy?

PM: It’s a comedy thriller. But I’m waiting until the ink has been dried on the contract before I can really start talking about it.

The Acid House


LFF: Of course. So I was going to start by talking about some of your older films, The Acid House was your first feature, right?

PM: It was yeah, it was three short stories. I initially directed one short called The Granton Star Cause and it did pretty well on Channel 4 so they wanted to do all three. I’d only done documentaries before and was a photographer before that, so when Irvine Welsh asked me to do it, I initially turned it down because it wasn’t what I was used to doing. But then he told me about the story about the man having a bad day, meeting God in the pub and it was just crazy! I thought if it’s going to fail I may as well go out in a blaze of glory. It turned out to be such fun to do, Channel 4 wanted it to be a proper Irvine Welsh story and not filter it for an English audience. It was fun.

Paul Bettany in Gangster Number 1


LFF: So after that you made Little Angels (a docu-drama focusing on heroin addicts) and Gangster Number 1. Along with The Acid House, did you get the feeling you were marked as a controversial director?

PM: Aye, but I’d say life is pretty controversial, I mean you’re going to come cross times when you’re not in a good place. Sometime real life is not filtered through on to the screen in the way some people would like it to. Life imitates art whereas art never usually imitates life and art always imitates art if you will, so for a genre like gangster films the only reference points we have of gangsters are through the cinema, and we just keep copying ourselves which means we portray gangsters in a certain way. But that’s fine that’s a good way of getting to an audience because they are comfortable with that, it’s what they are used to, but then you have to start breaking down some of the barriers of it. The lifestyle isn’t always glamorous; it can be ugly and violent. I always think violence is a hard thing for a director to portray; I don’t want to advocate it’s like pornography where you get off on it because that’s not the case. Violence to me is always the sounds and the hatred in the person perpetrating the violence. So what I wanted to do (In Gangster) was kill the audience that were watching it, you don’t see much when Paul Bettany strips naked and butchers the guy with an axe, but it’s still a very violent scene. I didn’t want to let the audience off with that you know? I wanted to show that violence was not glamorous. It’s also hard trying to find new ways to shoot violence, give it an original point of view to all the others.

LFF: Even though a lot of people really like Gangster Number 1, do you think it’s a bit underrated?

PM: I think a lot of my films are. Any director will tell you that about their movies. It seems to take time for people to find my movies. It’s like Lucky Number Slevin, it didn’t make millions at box office but then went on to make a ton on DVD. It’s almost like people found it and went “oh I’ve found this cool movie” and then claim it for themselves. It was the same with The Acid house.

LFF: I think I know what you mean. I stumbled across Wicker Park in Blockbuster, had never heard of it but I went on to enjoy it.

PM: Yeah It’s strange. I don’t think my style is as palatable to a mainstream audience marketable and it is to certain people. Production companies always seem to find them hard to market. Its like, “is Wicker Park a love story? Is it a thriller?” Well no, it’s not a love story because if it was a love story I would have shot it differently, so yeah it’s a thriller. So they always seem to have a problem marketing it.

The Reckoning


LFF: I was reading up on a film called The Reckoning but I had never heard of it.

PM: Well the reckoning is a prime example of bad marketing. I’m working with the likes of Martin Freeman and Benedict and they have never heard of it, it’s about the birth of modern day theatre you’d have thought they might have seen it! (laughs) It’s not bad, beautiful looking film, but it’s quite an art house movie, I wasn’t trying to make a mainstream film I just wanted to make a film about something I thought was interesting.

LFF: It boasts a great cast too.

PM: Yeah it’s got Paul Bettany, Vincent Cassell is in it, Wilem Defoe, Brian Cox.

LFF: I can’t seem to find it anywhere!

PM: (laughs) well there you go! But essentially it’s an expensive art house film lets put it that way, ill hold my hands up and say that’s what it is. But after that I realised I just needed to concentrate on what I’m best at and try and make films people want to see.

LFF: So after that you moved to the US, was it Gangster that brought you attention from America?

PM: Yeah it definitely was, it was a great calling card. I got a call from Robert Newman and he said it was getting a great reaction. After that I got the chance to meet Bruce Willis and some other big actors who said they wanted to work with me, and later on they came true to their word and worked with me on different projects over the years. But it still is a great calling card, people really like it.

McGuigan and Freeman - Lucky Number Slevin


LFF: After you completed Wicker Park in the US, would you say Slevin cemented you over there?

PM: To be honest it’s all indie companies I’ve worked for so I’ve always been on that side of the fence. Even with Push, I’ve never a studio movie.

LFF: I assume the next one will be for a studio?

PM: It’s not like I go out of my way to avoid it. I have been attached to various Marvel projects to James Bond.

LFF: Really?

PM: Yeah for Casino Royale. I was down to the last two, it would have been great and I haven’t given that one up just yet. Not like playing for Glasgow Celtic or playing in front of a crowd at the Barrowlands, some things you have to give up (laughs) but that’s not one of them.

LFF: Who would you cast as Bond?

PM: I think James McAvoy would be great. Daniel Craig is very good though. The thing that I didn’t like about Quantum of Solace is it took itself too god damn seriously. There’s a great sense of fun attached to Bond films and that has to be embraced, you can be serious when it’s required, but you just have to relax a bit.

Deathlok

LFF: Another project you were linked to was Deathlok

PM: Deathlok was just taking too long in development. David Self wrote it and it was a great script, the hardest thing bout Deathlok and this sounds crazy but was to get the idea of Knight Rider out of my head! Just couldn’t get over that. I really wanted to do that film but I had to put on the backburner.

LFF: But you got to kind of make a ‘superhero’ film with Push.

PM: I suppose so, yeah, but I never really approached it that way. Push was me wanting to do an action film, you know? Before the Acid House I never watched Trainspotting, so I never watched X Men or anything like that which might have influenced the way I do things, I just like to do my own thing. But obviously certain people and studios always want certain things in there.

LFF: Push isn’t as glossy, if you will, compared to other ‘superhero’ films

PM: I would have made it grittier if I could have! But what you have to remember is with these ‘superhero’ films if you want to call them, is that you’re up against these big budget pieces with the greatest technologies available. Push was made for $25m, which is a lot of money, but that’s not much compared to those films which are up to £100m now. But that shouldn’t put off and I think it’s a pretty cool movie.

McGuigan with Chris Evans - Push


LFF: So let’s talk about Sherlock again, is it anything with Guy Ritchie’s recent film?

PM: No. It’s written by Steven Moffat who does Doctor Who and Mark Gatiss from League of Gentlemen. They are big fans and wanted to do an updated version, he has to be smarter now he’s up against all this new technology. I think it’s harder to make him modern and immediate being set in the present day rather than back in the olden days. I thought Guy Ritchie’s film was entertaining, but that’s what it has to be as a lot of people see it as a bit of a romp. But we want to bring it back to the clever detective side. The BBC are putting a bit of a wedge behind it so hopefully it will do well.

LFF: So no pipes and hats then?

PM: (laughs) No, no hats, but I thought that might be cool. He’s covered in nicotine patches and that kinda stuff. It pays homage to the originals, it still feels like Baker Street but with plasmas televisions.

Grant Morrison


LFF: The Acid House is still the only thing you have filmed in Scotland, would you be interested in making something else there?

PM: Yeah Grant Morrison and myself are working on, I wouldn’t call it a secret project, but a project with Stephen Fry and it’s a thriller set in Scotland. Me and Grant have been friends for a while and we wanted to do something together and Grant went off and wrote a treatment, so it’s at the treatment stage at the moment.

UPDATE: The show is going to be called Bonnyroad according to Bleeding Cool. END OF LINE

LFF: Is it a full series?

PM: It’s seven episodes. It takes place over seven days around an event that happens in Scotland. It’s a modern take on an old fable or fairy story. If you know Grants work you might have an idea of what it will be like. It’s like Twin Peaks meets Brigadoon! It’s off the wall and smart but in a watchable commercial way. It’s still in the early stages but I’m very excited about it.

LFF: There’s still not a large amount of ‘big’ Scottish directors out there at the moment.

PM: I think we quietly work away, you’ve got MacKenzie and Peter Mullan who I think is great, he has a story to tell. So not quite a full squad yet, we’ve probably got a five a side.

LFF: Do you think more could be done to help develop talent?

PM: There has to be grassroots. Eighteen year olds will look at it and think, “I can’t see a career for me here”, so they make it creating video games and things like that. We need to change that mindset and get back into it. I read some stats the other day and it said film and television in Scotland work an average of seven days a year, that’s no career it’s almost a hobby. It’s sad. But the BBC seem to be keen in putting some money in and hopefully it’s just a bump in the road. There’s some great talent up here, it just needs to be harvested.

LFF: Mark Millar is rumoured to be writing a Scottish superhero tale. Would a film version interest you?

PM: Mark’s a talented boy, but I don’t think he will work with me after I slagged off his last film, Wanted. I never insulted him directly because he didn’t even write the screenplay and I wouldn’t intentionally slag off someone else’s work but certain people stirred it up. The funniest part was when Morgan Freeman, who I adore, started talking about the weavers or something. I just wanted to pause it and rewind it in the cinema and say, “sorry, are they trying to tell us this makes any sense?!” But good luck and good power to the man.

Check out the other LFF interviews including Duncan Jones, Mike Sizemore, Johnny Depp, Tony Grisoni, Michael Marshall Smith, Neal Asher, Leslie Simpson and more.

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Grant Morrison and Stephen Fry working on a Doctor Who type thing

Posted by LiveFor on November 3, 2009

grant_morrisonThe always excellent Bleeding Cool had this extremely interesting story.

Director Paul McGuigan twittered earlier;

Pitching meeting today. Grant Morrison out-dressed me with his purple suit. I need to up my game.

McGuigan and Morrison are back in Scotland right now. We don’t know what they are pitching, in what medium, who for, who to, indeed we have no other information available whatsoever.

But if anyone sees a bald thin middle aged guy in a purple suit somewhere in Scotland today, do please report in…

UPDATE: It’s BBC Scotland. I’ve been told for a while that certain people at BBC Scotland are very jealous at BBC Wales for getting Doctor Who and Torchwood. Grant Morrison has talked about wanting to write for the Doctor Who TV show but that he hadn’t been approached. Maybe this is his way of getting his own sci-fi TV show off the ground.

Hell, maybe it is The Invisibles.

UPDATE UPDATE: Whatever it is I understand it will involve national twittertreasure Stephen Fry.

Grant Morrison and Stephen Fry are both polymaths of the highest order. This is where it gets interesting.

God if it was an Invisibles TV show that would be amazing.

Grant Morrison (We3, Batman, Batman and Robin, The Invisibles and so much more) working on a TV show is so cool.

What are your thoughts and what could it be?

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Alan Rickman talks about Alice in Wonderland

Posted by LiveFor on March 22, 2009

This is a radio interview where Alan Rickman discuss Tim Burton’s upcoming film ‘Alice in Wonderland’. Rickman is playing the Caterpiller in the mix of CGI and real life.

The film also stars Mia Wasikowska as Alice, Johnny Depp as The Mad Hatter, Anne Hathaway as The White Queen, Helena Bonham Carter as The Red Queen, Michael Sheen as the White Rabbit, Crispin Glover as The Knave of Hearts, Stephen Fry as The Cheshire Cat, Christopher Lee, Timothy Spall as The Bloodhound, Eleanor Tomlinson as Fiona Chataway, Noah Taylor, and Matt Lucas as Tweedledum and Tweedledee.

Thanks to Pam for sending me the link.

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Our first proper glimpse through the looking glass at Tim Burton’s Alice in Wonderland

Posted by LiveFor on March 13, 2009

D23 is a Disney fan club that launched earlier this week and as part of a membership, you get a subscription to their quarterly magazine filled with photography and articles on all-things Disney. Featured in this first issue is an article on Tim Burton’s Alice in Wonderland, which is currently in-production aiming for a March 5th, 2010 release. It included these photos that give us our first proper glimpse at the new adaption.

Abovie is Mia Wasikowska as Alice as well as a look at the Mad Hatter’s tea party table. The Tim Burton Collective are the good people who scanned the photos for us all to see.

First Showing also had this quote from the magazine by Tim Burton:

“It’s kind of a mixture of some distorted live action and animation. I can’t
relate it to anything because I’m not sure what to relate it to. It’s kind of
new territory for me,”

Also starring in the film are Johnny Depp as the Mad Hatter, Anne Hathaway plays the White Queen, Helena Bonham Carter plays the Red Queen, Alan Rickman plays the Caterpillar, Crispin Glover plays the The Knave of Hearts, Stephen Fry plays the Cheshire Cat. Christopher Lee is also starring.

I’ve never been a big fan of the Alice in Wonderland tale, but I love many of Tim Burton’s other films and he has got a great cast involved so I’ll definitely give it a watch when it comes out. All in all it is shaping up to be a most curious piece of film.

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Cadburys Advert – Eyebrows a-go-go

Posted by LiveFor on January 29, 2009

This just makes me laugh. Especially the bit with the balloon. Thanks to Stephen Fry over on Twitter for pointing it out.

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Alice in Wonderland – Some cool casting news for Tim Burton’s latest.

Posted by LiveFor on January 25, 2009


Just a quick post before I head to bed.

/film have the news that Michael Sheen may be playing the White Rabbit in Tim Burton’s Alice In Wonderland and, even better, Stephen Fry will be playing the Cheshire Cat. Pretty cool casting if it’s true.

Night all.

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