Posts Tagged ‘steve martin’
Posted by LiveFor on November 26, 2009
Posted by LiveFor on November 4, 2009
The people in charge of the Oscars, AMPAS, recently said Hugh Jackman would not be presenting the awards in 2010.
Today they have said that Steve Martin and Alec Baldwin will serve as co-hosts of the 82nd Academy Awards on 7th March 2010 according to First Showing.
“We think the team of Steve and Alec are the perfect pair of hosts for the Oscars,” said producers Bill Mechanic and Adam Shankman. “Steve will bring the experience of having hosted the show in the past and Alec will be a completely fresh personality for this event.”
“I am happy to co-host the Oscars with my enemy Alec Baldwin,” Martin said. “I don’t play the banjo but I’m thrilled to be hosting the Oscars – it’s the opportunity of a lifetime,” Baldwin said.
Baldwin has been doing great things on 30 Rock. Martin has been doing the Pink Panther.
Do you think it is a good team to present the Oscars next year?
Posted by LiveFor on May 26, 2009
Posted by LiveFor on February 24, 2009
Well Ben Stiller did it when presenting the award. It was pretty funny, not as funny as the Pineapple Express or Steve Martin and Tina Fey thing (still can’t find a full version of that), but funny nonetheless.
Posted by LiveFor on February 23, 2009
This is a funny little presenting bit by Tina Fey (30 Rock) and Steve Martin (Roxanne, The Jerk). I miss Funny Steve.
Posted by LiveFor on February 5, 2009
Posted by LiveFor on December 29, 2008
We had a lovely Christmas. The kids loved everything they got and Christmas dinner went off without a hitch which was great. Plus I got to see my son sing in the Metropolitan Liverpool Cathedral which was fantastic (he has recently become a Chorister there).
I also got some great gifts from my Wife and family and I am made up with all of them. Here are just a few.
Classic Sci-Fi Collection : Invasion Of The Bodysnatchers / Thing From Another World / Incredible Shrinking Man / This Island Earth / Creature From The Black Lagoon / It Came From Outer Space
Mongol – The Rise To Power Of Genghis Khan – Director Sergei Bodrov’s sweeping MONGOL focuses on battles physical and emotional as it follows the early ascent of the ‘Great King’ Genghis Khan in the 12th and 13th centuries. Born Temudgin to a kingly father, the film introduces the nine-year-old (Odnyam Odsuren) making his first fateful decision: going against his father’s wishes and choosing the lesser-born Borte as his future wife. When his father is poisoned, Temudgin flees from his father’s rivals. Temudgin is saved by a young prince, Jamukha, and the two become blood brothers. That bond of friendship is tested, though, when the grown Temudgin (Tadanobu Asano) wages war–against the Mongol code–to win back the captive Borte. As Temudgin asserts his own power, he must also face Jamukha in all-out battle if he is to secure the safety of his family and his own kingly destiny. Gorgeously shot on location in Kazakhstan and Inner Mongolia, MONGOL represents the first in a proposed trilogy of films that will chronicle the full impact of Genghis Khan’s reign. As ambitious in scope as its subject was in life, MONGOL–a 2008 Academy Award nominee for Best Foreign Language Film–offers a unique look at the influence of love and loyalty to the life and times of one of history’s most enigmatic rulers.
The Mist (2 Disc Edition) – Frank Darabont (THE SHAWSHANK REDEMPTION, THE GREEN MILE) serves as director, writer, and producer of THE MIST, an adaptation of Stephen King’s classic novella. After a vicious storm wreaks havoc in their small town in Maine, artist David Drayton (Thomas Jane) heads out to the town supermarket for some much-needed supplies with his young son, Billy (Nathan Gamble), and his neighbour, Norton (Andre Braugher), in tow. Their trip soon turns to terror when a menacing white mist settles in, leaving this group of locals and out-of-towners fighting for survival against an unknown, bloodthirsty enemy. When the local religious zealot (Marcia Gay Harden) begins to convince the group that the mist is punishment from God, Drayton and his cohorts realize that they may be trapped inside with an enemy just as dangerous as whatever is lurking outside.
Tension runs high in this tale as the trapped group faces difficult moral decisions. Should they stay and wait out the terror, or make a break for it and risk suffering a terrible fate? Is the eerie mist the will of God, an experiment from the local military base gone awry, or, maybe, a freak natural disaster? Without modern conveniences and the normal conventions and rules to guide them, the group is easily swayed by the loudest opinion. Will they save themselves at the expense of each other, or work as a team to save everyone? There is a decent amount of blood and gore for horror fans, some deadpan humour and just a hint of politics thrown in for good measure. Thomas Jane is a stoic leading man, but Frances Sternhagen and Toby Jones are more fun as unlikely heroes. Laurie Holden, Alexa Davalos, Bill Sadler and Jeffrey Demunn also star in this creepy tale.
Westworld – Welcome to Westworld, where nothing can go wrong…go wrong…go wrong….Writer/director Michael Crichton has concocted a futuristic “Disneyland for adults”, a remote resort island where, for a hefty fee, one can indulge in one’s wildest fantasies. Businessmen James Brolin and Richard Benjamin are just crazy about the old west, thus they head to the section of Westworld populated by robot desperadoes, robot lawmen, robot dance-hall gals, and the like. Benjamin’s first inkling that something is amiss occurs when, during a mock showdown with robot gunslinger Yul Brynner, Brolin is shot and killed for real. It seems that the “nerve center” of Westworld has developed several serious technical glitches: the human staff is dead, and the robots are running amok. Suddenly promoted to the film’s hero, Benjamin (who seems as surprised and shocked as the audience) must first avoid, then face down the relentless Brynner. Much of Westworld was lensed on the expansive grounds of the old Harold Lloyd estate in Beverly Hills, so it’s no surprise that there’s something Lloydlike about Dick Benjamin’s instinct for self-preservation.
The Art of Ray Harryhausen – A great looking book which takes you into the ideas and processes that Harryhausen has used throughout the years. Plus it is signed by the great man himself.
Watching the Watchmen – Acclaimed as one of “Time Magazine’s” 100 Best Novels, “Watchmen” is widely considered to be the greatest graphic novel of all time. “In Watching The Watchmen”, artist Dave Gibbons gives his own account of the genesis of “Watchmen”, opening his archives to reveal excised pages, early versions of the script original character designs, page thumbnails, sketches and much more, including posters covers and rare portfolio art.Featuring the breathtaking design of Chip Kidd and Mike Essl, “Watching The Watchmen” is both a major art book in its own right, and the definitive companion to the graphic novel that changed an industry.
The Gabble and Other Stories – Neal Asher. Can’t wait to read this.
Born Standing Up: A Comic’s Life – Steve Martin – Steve Martin has been an international star for over thirty years. Here, for the first time, he looks back to the beginning of his career and charmingly evokes the young man he once was. Born in Texas but raised in California, Steve was seduced early by the comedy shows that played on the radio when the family travelled back and forth to visit relatives. When Disneyland opened just a couple of miles away from home, an enchanted Steve was given his first chance to learn magic and entertain an audience. He describes how he noted the reaction to each joke in a ledger – ‘big laugh’ or ‘quiet’ – and assiduously studied the acts of colleagues, stealing jokes when needed. With superb detail, Steve recreates the world of small, dark clubs and the fear and exhilaration of standing in the spotlight. While a philosophy student at UCLA, he worked hard at local clubs honing his comedy and slowly attracting a following until he was picked up to write for TV. From here on, Steve Martin became an acclaimed comedian, packing out venues nationwide. One night, however, he noticed empty seats and realised he had ‘reached the top of the rollercoaster’.B ORN STANDING UP is a funny and riveting chronicle of how Steve Martin became the comedy genius we now know and is also a fascinating portrait of an era.
Just some of the bits I got (having some problems with uploading images, but I’ll get it sorted so you can see what they all look like). Let me know what you got. Take it easy and enjoy the rest of the holiday.
Posted by LiveFor on July 28, 2008
Score: 6 / 10
This review from Babubhaut.
Say what you will about the marketing machine, but I truly think the people behind promoting Baby Mama did a bang up job…even if I believe they did so without trying. They make expectations so low in the trailer that you almost have to enjoy the film. Was it a great comedy? No. However, it was much better than I ever could have hoped as Michael McCullers takes us places you never would expect going in. I thought that it would be a water-downed, overlong SNL skit with one woman asking another to carry her baby, leading to a generic odd couple pairing with hijinks and gags piling on top of each other, collapsing under its own weight. Instead we are treated to a pretty sentimental and touching portrait of two women learning to grow and evolve with help from the other, a person, in both regards, that they never would have thought could teach them anything. Even the pregnancy aspect takes a ton of twists and turns never becoming the straight shot gimmick just bringing everyone together. The surrogate mother here must make some tough decisions as she continues along on her journey, lending a side to the tale that actually brings it to a level of intrigue that no Lorne Michaels film has done in recent memory.
I don’t want to ruin the plot points of Angie Ostrowiski’s pregnancy, but let’s just say it isn’t cut and dry. Her motives aren’t genuine, something that is obvious from the start, just not quite in the way you anticipate. There are surprises for her and secrets hidden from the other characters as she wrestles within herself. A “white-trash” loser, attached to a man that believes waiting on the phone to be the 132.7 caller is a job, Angie learns a lot while with mom-to-be Kate Holbrook. Kate, being the professional VP of an organic food market, is a very detail orientated woman who is by the books and unafraid to tell others what they should do. It is an oil and water connection, but—like all good relationships of this kind—breeds some real funny and touching moments. Who thought watching Karaoke on the Playstation could be so much fun? Sure many instances feel like skits written separately and plugged in later, (the clubbing while pregnant, the press conference ambush, and the surrogate therapy session—probably the funniest scene without question), but they are surprisingly strung together to make a pretty coherent whole.
The other thing that the trailer hides is the inclusion of two great male roles. Did anyone know that Greg Kinnear and Steve Martin were in this thing? I for one was completely surprised by both, almost chuckling that they would have a small cameo until I realized that both were key roles to the whole. In the best turn of the film, Steve Martin is crazy, hippie genius. His earthy style of living, complete with long ponytail and soft speech, even when angered, is classic, as is everything uttered from his mouth. He is so good that I would be thrilled to have him offer me 5 uninterrupted minutes of staring into his eyes as a reward for a job well done. For Kinnear’s part, he plays the usual love interest that is commonplace in films of this ilk. It’s not flashy and it’s not very original, but Greg is a stalwart and pulls off the good guy persona, even including a little bit of physical humor at the end.
Overall, though, this film is pretty standard fare. It goes into very broad comedy at times and very sappy/overly-sentimental drivel at others. There are some good jokes sprinkled throughout and for the most part keep it fun for the duration. Definitely feeling longer than it is, I never quite felt bored and I did begin to get invested in the story to see how it all would turn out. A lot of that can be credited to the chemistry between Tina Fey and Amy Pohler as Kate and Angie respectively. Both these women do a great job with their roles, fleshing out the psychotic relationship to perfection. One of the successful dynamics is how Fey becomes a mother figure to her surrogate. Even going so far as having temper tantrums and rubber-faced reactions, Pohler is a child.
It’s also nice to see some fun moments from the supporting cast, but again nothing really sticks out to vault anything into must see territory. Sigourney Weaver is actually kinda scary in a very weird role; Romany Malco has plenty of great one-liners and facial expressions; and John Hodgeman is a bit odd in a small bit, with laughs coming more from the recognition of his Mac commercials than anything he does in the film. In the end, while nothing over-achieves, it all adds up to a pretty solid comedy worth a view. Is it necessary to see on the big screen? Probably not, but if you were worried that it might be a train-wreck, just know that it never takes any chances to risk derailing, and that’s not a bad thing.
Discuss in the forum.